Salvador Dali Art Gallery

A little surreal their magnificent works?

KEY IDEAS
Freudian theory underpins Dali's attempts at forging a formal and visual language capable of rendering his dreams and hallucinations. These account for some of the iconic and now ubiquitous images through which Dali achieved tremendous fame during his lifetime and beyond.


Obsessive themes of eroticism, death, and decay permeate Dali's work, reflecting his familiarity with and synthesis of the psychoanalytical theories of his time. Drawing on blatantly autobiographical material and childhood memories, Dali's work is rife with often ready-interpreted symbolism, ranging from fetishes and animal imagery to religious symbols.


Dali subscribed to Surrealist André Breton's theory of automatism, but ultimately opted for a method of tapping the unconscious that he termed "critical paranoia," a state in which one could cultivate delusion while maintaining one's sanity. Paradoxically defined by Dali himself as a form of "irrational knowledge," the paranoiac-critical method was applied by his contemporaries, mostly Surrealists, to varied media, ranging from cinema to poetry to fashion.

"The only difference between a madman and me is that I'm not mad."

Salvador Dalí i Domènec Jacint Felip Domenech, known as Salvador Dalí, Dalí 1stMarquis of Púbol (Figueras, Spain, May 11, 1904 - ibid, January 23, 1989) was aSpanish painter considered one of the top representatives of surrealism.

Dali is known for his striking and bizarre surreal images. His painterly skills are often attributed to the influence and admiration for Renaissance art. He was also an expertdibujante.plastics Resources Dalí also discussed the film, sculpture and photography, which led him to collaborations with other visual artists. He had the ability to forge an intensely personal style and recognizable, it was actually very eclectic and "sired" innovations of others. One of his most famous works is The Persistence of Memory, the famous painting of "soft watches" in 1931.

As an artist extremely imaginative, showed a remarkable tendency to narcissism and megalomania, whose object was to attract public attention. This conduct irritated those who appreciated his art and justified his critics, who rejected his eccentric behavior as a publicity gimmick occasionally more striking than their production artística.3 Dalíattributed his "love for everything that is gilded and excessive, [its] passion for luxury andhis love of oriental fashion "to a self-styled" Arab lineage ", which traced its roots to the time of Arab domination of the Iberian Peninsula.